
The Psychology of No!
It’s been almost 130 days. Waves of horse shit fly from every imaginable source. We’re all covered in it. Fake news? How do you discern it? Try using common sense. This is not a witch hunt folks. It’s a sink hole that will, with cosmic providence, swallow every last person with stained fingers and pitcher’s elbow. If […]

Women Who Work?
While working on my most recent painting, the news has been appropriately filled with updates on the subject. We finally have a woman in the White House. Ivanka Trump has an office and access to classified information, though she is not technically serving as a government employee. She will be offering her father, Donald Trump, an independent perspective to […]

Las Meninas 2.0
My most recent painting pays homage to one of the greatest portraits in history. Diego Rodríguez de Silva y Velázquez painted Las Meninas in 1656 for King Philip IV of Spain and his second wife Maria Anna of Austria. It has been described in many ways, including History’s First Photo-Bomb and the Canonical Masterpiece of Western Painting. It is […]

What Came First, the bed time story or the nightmare?
We should think twice before approaching amateur or professional couches to answer this question. A childhood fed by fairy tales, enlarged by the steroidal effects of Hollywood or Disney can lead to some pretty freaky stuff. An adult redo of Margaret Wise Brown’s classic might include: “Good night obsessive compulsive disorder”, “Good night electra complex”, “Good night existential fear of death”… Psychoactive doors, […]

Totem Animals, Mountains, GPS and new venues for Bunny
My watercolor painting entitled GPS will be on display within a group show at the Fire Hall Gallery in Charles Town, WV in May, 2016. It is part of a larger series of over 100 works centered on my totem animal, a rabbit. The show features the work of artists who participated in CraftWorks with Rebecca Jones and […]

Journey as Identity
“Wouldn’t it be better without Bunny? I like the trees, the animals and the atmosphere.” This was the first critical response to Climbing. Artists must learn that nothing is precious. It can all be scraped back to a blank canvas to start again. When you spend hours learning how to look and reflect on that looking, […]